Comic Potential by Alan Ayckbourn
Directed by Joseph Timko • Stage Managed by Spencer Kahn • Scenic Design by Ashley Dai
On build crew, I laid out and attached strips of masonite to make the set resemble a circuit board. I was also sound engineer (pictured top right)
The Bluest Eye by Toni Morrison, Adapted by Linda R. Diamond
Theoretical set design featuring a compound turn table and intentionally steep seating to exaggerate audience discomfort
Urinetown by Greg Kotis
Theoretical lighting research for the secret hideout